For reasons I don't fully comprehend, I volunteered to write both an opera story AND a travel story for my employer, basing both on what I did in New York. Well, I didn't fully volunteer...it was strongly suggested that I needed to have something to "show" for my fellowship and extra time off. Bigger brain and better outlook don't count as "showable," apparently.
If someone had told me 10 years ago I would be writing an opera story, I would have said that person was nuts. I liked the opera, but what on earth would I have to say about it? Plenty, by this point. Actually, the opera story went pretty well. I saw "Boris Gudunov" at the Met, then I saw it in a movie theater with the Met HD series, and in between I read some stuff. Our fellowship group also had a private audience with Met general manager Peter Gelb, in a very nice room at the mezzanine level of the Metropolitan Opera, thankyouverymuch. One out-of-practice phone interview with our local opera director, and voila! A story is born. Something to show.
The other is proving to be a Problem Child. It's about museums. I love museums. I like going to them, looking at all the stuff, reading ALL the informational placards and getting ALL the brochures - even the ones in German, so I can snicker over the really long words. I like going to the gift shops, using the penny-smashing machine, sending the video postcards at those kiosk things. I went to a lot of museums in NY. I did all the things I like to do at museums. So why I can't write a story about it? I've put three different leads on the story, and I hate them all. I've read other museum stories, I've typed "if I could write ANYTHING, I'd write this" kind of a lead, I gave it an early start, I gave it time to percolate, I buried it, I resurrected it. My boss helpfully added, "If I let it sit, and I still can't get inspired, I know it's toast." Well, I didn't order toast. I need waffles. Criminy.